The open-world chaos of Grand Theft Auto 3 could have been a little stricter—at least according to early development plans. Originally, players were meant to receive a wanted level simply for running a red light. However, the idea didn’t sit well with the development team, leading to its swift removal.
According to former developer insights, this mechanic was scrapped because it conflicted with the game’s overall design philosophy. While realism has always played a part in the GTA series, the goal was to encourage freedom rather than restrict it with minor infractions. Getting a wanted level for something as trivial as ignoring a traffic signal would have significantly slowed down the pace of gameplay, leading to frustration rather than fun.
In gta3, traffic lights cycle through 3 states: North/South East/West Pedestrians
The traffic light’s model orientation determines its cycle, and at startup, my code stored the cycle in the road nodes. This is why, even if the light was knocked over, cars still obeyed the light.… pic.twitter.com/RMJMA7spnE
At its core, GTA 3 revolutionized the gaming landscape by introducing a fully explorable 3D city where players could engage in mayhem at their own pace. The decision to remove penalties for red lights allowed for smoother, more dynamic movement through Liberty City, ensuring that the action never felt bogged down by unnecessary rules. Instead, the game focused on rewarding player agency—whether that meant evading the cops after a major heist or simply cruising through the streets without fear of petty violations.
This anecdote serves as an interesting look at the design choices that shaped one of gaming’s most influential titles. While the GTA series has since evolved with more immersive mechanics, it continues to prioritize open-ended gameplay over rigid realism. And given the franchise’s massive success, it’s clear that the developers made the right call.
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For over four decades, players of Nintendo’s 1981 arcade classic, Donkey Kong, believed that the game concluded at the infamous “kill screen” on level 22. This stage was notorious for a bug that caused the bonus timer to overflow, leaving Mario with mere seconds to complete the level before an inevitable demise. However, speedrunner Kosmic has recently demonstrated that this kill screen isn’t the definitive end.
In Donkey Kong, players navigate through four distinct stages that loop with increasing difficulty. Upon reaching level five, the game’s difficulty plateaus, and these stages repeat in a set pattern. Traditionally, elite players would amass high scores up to level 22, where the kill screen would abruptly end their run due to the aforementioned timer glitch.
Kosmic’s breakthrough involves an exceptionally precise maneuver exploiting a glitch on the barrel stage—the very stage where the kill screen occurs. This stage requires Mario to ascend ladders and traverse slanted girders to reach the top. By executing a meticulous trick, Kosmic utilised a broken ladder glitch to swiftly climb to the top, effectively bypassing the constraints of the kill screen.
After 44 Years, it's finally possible to get past the Kill Screen in Donkey Kong. Video in reply explains how! 🙂 pic.twitter.com/Rwt2wA4uoW
It’s worth noting that while this strategy was theorized as early as 2013, previous attempts, even with tool-assisted speedruns, couldn’t overcome the timer limitations. Kosmic’s success hinged on an extraordinary stroke of luck. The game’s timer decreases with each barrel Donkey Kong throws, and these throws occur at random intervals. To have sufficient time to perform the glitch, a player would need Donkey Kong to delay his initial barrel throw—a 1 in 3 chance—and then further delay subsequent throws, a 1 in 32 chance. Combined with flawless execution, the odds of achieving this are astronomically low, making such a feat exceedingly rare in actual gameplay.
This discovery not only challenges long-held beliefs about the game’s limitations but also showcases the dedication and ingenuity of the gaming community in uncovering new possibilities within classic titles. There is a supporting Pastebin technical white up on DK’s delays here.
In a recent interview with MinnMax, Sony veteran Shuhei Yoshida shed light on an intriguing chapter of gaming history: PlayStation’s first video game was an FMV (Full Motion Video) space shooter developed for Nintendo. This project was nearly complete before the well-known rift between Sony and Nintendo led to its cancellation.
Yoshida, who joined Ken Kutaragi’s team in February 1993, recalled that newcomers were introduced to the Nintendo-Sony PlayStation prototype upon arrival. He had the opportunity to play the nearly finished game on his first day. He described it as reminiscent of the Sega CD version of “Silpheed,” featuring a faux 3D perspective with FMV backgrounds streamed from the disc. This approach allowed for richer graphics than was standard at the time.
Unfortunately, Yoshida couldn’t recall details about the development team or whether the game was produced in the U.S. or Japan. While this particular title never saw the light of day, Sony later published similar games on the PlayStation, such as “Philosoma” in 1995 and “Novastorm,” which had been developed earlier by Sony’s subsidiary, Psygnosis.
This revelation offers a rare glimpse into what the software library for the Nintendo PlayStation might have included. Prior to this, “Secret of Mana” was the most notable game known to be in development for the add-on, which reportedly underwent significant cuts during its transition from CD to SNES cartridge. The existence of this FMV space shooter suggests that the Nintendo PlayStation could have boasted a diverse and graphically advanced game lineup, had the collaboration between Sony and Nintendo continued.
We hope that one day a Rom for this might emerge so we can see what might have been and preserve this for future generations.
When legendary Nintendo designer Shigeru Miyamoto asked former PlayStation boss Shuhei Yoshida for his thoughts on Star Fox Zero for the Wii U, he probably wasn’t expecting an awkward moment. But as Yoshida recalled in a recent discussion, he found himself in the classic dilemma of whether to give an honest opinion or a polite one.
Star Fox Zero launched in 2016 with a mixed reception. It attempted to bring back the classic Star Fox gameplay with a motion control twist, using the Wii U GamePad’s gyroscopic aiming. While Miyamoto saw this as an innovation, many players found the controls cumbersome, leading to frustration rather than immersion. The game holds a Metacritic score of 69, reflecting its divisive nature.
Yoshida, who had a professional admiration for Miyamoto, faced a moment of hesitation when asked about the game. “Should I say my honest reaction?” he recalled thinking. While he didn’t reveal exactly what he said, the implication was clear: even among industry veterans, Star Fox Zero had issues that were hard to ignore.
At E3 2015, PlayStation's Shuhei Yoshida was invited by Nintendo to play Star Fox Zero with Shigeru Miyamoto. He didn't have the heart to tell him his real opinions on the game…
This interaction highlights a key issue in game design—innovation versus accessibility. Nintendo often priorities creative control schemes, but Star Fox Zero showed that not every experiment works out. The game’s failure to gain traction contributed to the Wii U’s struggles, and it remains one of the more polarizing entries in the Star Fox series.
Would a Switch or Switch 2 re-release with traditional controls redeem Star Fox Zero? Fans remain divided. One thing’s for sure—when Miyamoto asks for feedback, you better have a diplomatic answer ready.
After years of limited availability, The Sims and The Sims 2 are making a return to PC. According to reports, both titles will be re-released digitally on January 31, 2025, each bundled with all their original expansion packs.
The original Sims game, launched in 2000, became a cultural phenomenon, allowing players to simulate daily life in unprecedented detail. Its sequel, The Sims 2, released in 2004, expanded on this foundation with enhanced graphics and deeper gameplay mechanics. Despite their popularity, both games have been challenging to access on modern systems, making this re-release a notable event for fans.
Credit: Sims Wiki
While the PC versions are confirmed, it’s currently unclear if these re-releases will extend to consoles. Given the games’ origins and control schemes, a console adaptation would require thoughtful adjustments to ensure a seamless experience.
This move not only preserves gaming history but also introduces these classics to a new generation of players. As the release date approaches, fans are eager to revisit the charm and challenges that made The Sims series a staple in gaming.
The Video Game History Foundation (VGHF) has announced that its extensive digital library of gaming publications will become accessible to the public starting next week. This move represents a significant milestone in the preservation and sharing of video game history, offering enthusiasts, researchers, and developers access to a treasure trove of historical gaming materials.
Good things come to those who wait – the Video Game History Foundation Digital Library launches on January 30th, 2025. (We'll tell you all about it then!) pic.twitter.com/pKHoAS9Qkw
— Video Game History Foundation (@GameHistoryOrg) January 23, 2025
What the Digital Library Offers
The VGHF’s digital library includes scans of rare gaming magazines, strategy guides, promotional materials, and other print resources that document decades of gaming history. These materials, previously available only to researchers or through in-person visits, will now be accessible online for anyone interested in exploring the evolution of the video game industry.
Credit: Gamehistory.org
To protect the intellectual property rights of these materials, access will initially be limited to “controlled digital lending.” Users will need to check out specific materials from the library, similar to borrowing books from a physical library. This approach ensures the preservation of copyright while still enabling public access to invaluable resources.
Why This Matters
The opening of the VGHF’s digital library underscores the importance of preserving video game history. With the rapid pace of technological advancements, many early gaming materials risk being lost or forgotten. The Foundation’s efforts aim to safeguard these artefacts, providing a window into how games were created, marketed, and received by audiences over the years.
For gamers and researchers alike, this library offers a chance to explore the rich cultural heritage of the gaming industry, from iconic console launches to forgotten titles that shaped the medium.
About the Video Game History Foundation
Founded in 2017, the VGHF is a non-profit organisation dedicated to preserving and celebrating the history of video games. The Foundation works to digitise and archive materials, ensuring that the legacy of gaming is not lost to time.
The Virtua Fighter series has been a groundbreaking force in gaming history, widely regarded as the first 3D fighting game when it debuted in 1993. Over time, it inspired iconic franchises like Tekken and Dead or Alive, proving that strategic gameplay could flourish in 3D. Now, to honour 30 years of fighting, Sega is celebrating with a 30th Anniversary Soundtrack Collection.
This special compilation includes every memorable tune from the entire Virtua Fighter catalogue—plus previously unreleased tracks. These hidden scores give us a fresh perspective on the series’ creative journey, letting us peek behind the curtain of Virtua Fighter’s musical evolution.
If you’re looking to grab the 30th Anniversary edition, it’s on Steam right now at a 20% discount. This special sale lasts until 3 February 2025.
Credit: Steam / Virtua Fighter
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Retro gaming enthusiasts have a chance to own a piece of gaming history with the Hitachi Game & Car Navi High Saturn, now in stock at the BEEP Akihabara store. This Sega Saturn-compatible console is a rare multimedia terminal that could also function as a car navigation system—a unique blend of gaming and practicality.
Credit: Akiba PC Watch
The current stock is a used unit with the following features:
• Missing Components: No box, manual, TV tuner, navigation disc; Navi operation not confirmed
• Monitor: Originally paired with a 4-inch dedicated monitor (sold separately)
The console is priced at 580,000 yen, reflecting its rarity and premium value. Converted into other currencies (as of today’s rates):
• USD: Approximately $4,000
• EUR: Around €3,650
• GBP: About £3,200
A Brief History of the High Saturn
Released in December 1995 by Hitachi, the High Saturn was a multimedia version of the Sega Saturn designed to integrate gaming with in-car navigation—a forward-thinking concept for its time.
• Launch Price:
• Console: 150,000 yen (tax excluded)
The High Saturn in all its glory
While innovative, its high price and niche market focus meant that it saw limited production, making it a rare find today.
The High Saturn’s compact design (252 x 214 x 57mm) made it smaller than the standard Sega Saturn (260 x 230 x 83mm), and it supported dual power supplies: an AC adapter for home use and a car adapter for mobile gaming. This versatility set it apart from other consoles of its era.
Due to its limited circulation and unique concept, the High Saturn has become a highly sought-after collector’s item. The price at BEEP Akihabara highlights its rarity, with original accessories and functionality checks adding to its allure for retro gaming fans.
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When the Nintendo Game Boy launched in 1989, it wasn’t met with the universal acclaim you might expect. Critics weren’t kind. The hardware was deemed underpowered, the screen had no backlight, and its graphics were simplistic, even for the time. And yet, the Game Boy didn’t just survive; it thrived. It became one of the most iconic gaming devices in history, selling over 118 million units worldwide and kickstarting franchises that are still beloved today.
What made the Game Boy a success wasn’t technological superiority but a deliberate strategy. By focusing on affordability, portability, and battery efficiency, Nintendo created a console that could reach the masses. And behind the Game Boy’s success lay brilliant engineering decisions that made the most of its limited capabilities. This is the story of how compromises became the cornerstone of its triumph.
Designing for the Masses
From the start, Nintendo’s goal was clear: make the Game Boy affordable and accessible. The system needed to be portable, lightweight, and easy to use. At just under 15 cm in height, 3 cm thick, and weighing 220 grams, the Game Boy was designed to be carried anywhere. Its size and weight were revolutionary compared to its bulkier competitors.
The design borrowed heavily from the Nintendo Entertainment System (NES). Its button layout was simple and familiar: a directional pad, two action buttons, and start/select buttons. By keeping the controls straightforward, Nintendo ensured that the Game Boy was intuitive for both seasoned players and newcomers.
Credit iFixIt
The Battery Dilemma
One of the most significant challenges for portable devices in the late 80s was battery technology. Alkaline batteries were large, expensive, and non-rechargeable. Nintendo’s engineers knew that battery life would make or break the Game Boy.
While its main competitor, the Sega Game Gear, required six AA batteries for just three hours of gameplay, the Game Boy used only four and could run for up to 30 hours. This wasn’t just a technical achievement—it was a consumer-friendly decision. For every hour of playtime, the Game Boy cost about 16 cents in batteries, compared to the Game Gear’s $2.30. This difference made the Game Boy far more appealing to budget-conscious families.
A Screen That Almost Killed the Project
The Game Boy’s monochrome screen is iconic today, but it was a controversial choice at the time. Unlike the Game Gear’s colour LCD, the Game Boy’s display was limited to four shades of green and had no backlight, making it nearly unusable in low light. But these limitations were intentional. Colour screens consumed far more power, and Nintendo prioritized battery efficiency over visual fidelity.
However, even this low-power screen presented challenges. Early prototypes used liquid crystals that twisted 90 degrees, but the resulting contrast was poor. Pixels blurred into each other, creating an unreadable mess. When Nintendo President Hiroshi Yamauchi tested a prototype, he cancelled the project outright.
The breakthrough came with SHARP’s Supertwisted Nematic (STN) LCD screens, which used crystals twisted between 180 and 270 degrees. These screens offered a sharper transition between on and off states, dramatically improving contrast and clarity. The “green” hue of the Game Boy screen was a byproduct of the polarizing filters used in these displays.
Ingeniously, the Game Boy created its four shades of green not by using different voltage levels but by pulsing pixels on and off at varying speeds. Faster pulses created darker shades, while slower pulses produced lighter tones. This technique, known as pulse-width modulation, remains in use today in LED brightness control.
The Magic of Limited Memory
The Game Boy’s 8-bit CPU had access to just 64 kilobytes of memory—less than the size of a single frame of a modern HD video. To create games like Super Mario Land, developers had to stretch this tiny resource to its absolute limits.
The system divided its memory between the console and the game cartridge. Clever engineering allowed the Game Boy to use tiles—small 8×8 pixel graphics blocks—to construct larger images. Instead of addressing each of the screen’s 23,040 pixels individually, games were built using a combination of static backgrounds and movable sprites. This method conserved memory while enabling smooth scrolling and animations.
For example, in Super Mario Land 2, the background was assembled from a grid of tiles, while characters like Mario were made from multiple 8×8 sprites. By moving the viewing window across the background, the illusion of movement was created. Programmers even used mid-frame pauses to adjust the viewing window dynamically, enabling effects like the curved roads in racing games or the cinematic intros in titles like The Legend of Zelda: Link’s Awakening.
Audio Simplicity, Iconic Results
The Game Boy’s audio system was just as minimalistic as its graphics. It featured a single speaker and four sound channels: two for square wave tones, one for white noise (used for percussion), and one for custom waveforms stored in the cartridge. Despite these constraints, composers created some of the most memorable music in gaming history.
The intro to Pokémon games, with its catchy melody and simple beats, exemplifies this. By layering square waves, adding a custom waveform, and using white noise for percussion, developers created tracks that remain etched in gamers’ minds.
Security and Tradition
Every licensed Game Boy cartridge included a hard-coded set of data that the console checked during boot-up. This was a security feature to prevent unlicensed games, but it also gave rise to an unexpected ritual: blowing on cartridges.
If the console couldn’t verify the data due to dust or a faulty connection, it wouldn’t start. Players around the world discovered that a quick blow on the cartridge pins often resolved the issue. This shared experience became a hallmark of Game Boy ownership, transcending borders and languages.
Credit HackaDay
Memory Banking: The Pokémon Revolution
One of the most remarkable feats of Game Boy engineering was memory banking. While the console could only read 32 KB of data at a time, games like Pokémon Red/Blue required far more storage—up to 373 KB. Developers solved this by dividing the data into “banks” and dynamically switching between them.
When a player opened the Pokédex, for instance, the system accessed the memory bank containing Pokémon descriptions. Entering a PokéMart loaded a different bank with item prices. This seamless switching allowed Pokémon to offer a sprawling world on a system with extremely limited hardware.
Affordability Meets Accessibility
At launch, the Game Boy cost $89—significantly less than its competitors. Combined with its long battery life and robust library of games, it became the go-to console for millions of players. For many, it was their first gaming experience, introducing them to franchises like Tetris, Pokémon, and Super Mario.
Nintendo’s focus on accessibility defined the company’s philosophy. While competitors chased cutting-edge hardware, Nintendo prioritized fun and usability. This ethos continued with later devices like the Wii, which brought motion controls to mainstream audiences, and the Switch, a hybrid console that lets players game on the go or at home.
A Legacy of Innovation
The Game Boy wasn’t just a product; it was a cultural phenomenon. Its simple design and clever engineering inspired generations of gamers and developers. Decades later, the device remains a symbol of ingenuity—a reminder that limitations can spark creativity.
Today, gaming consoles are complex, internet-connected devices that gather data and require constant updates. The Game Boy, with its physical cartridges and link cables, feels like a relic from a simpler time. Yet, its impact is undeniable. It shaped the gaming industry and created memories that endure to this day.
So, next time you hear the cheerful beeps of a Game Boy startup or hum the theme to Pokémon Red, remember the genius behind that green-tinted screen. It’s more than nostalgia—it’s a celebration of one of gaming’s greatest achievements.
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In the pantheon of Sony’s gaming endeavours, few products are as intriguing yet obscure as the PSX. Released exclusively in Japan on December 13, 2003, this premium entertainment device represents one of Sony’s boldest attempts to revolutionize home entertainment – and one of its most expensive failures.
A Vision of the Future
The PSX wasn’t just another PlayStation variant. Housed in an elegant white tower that looked more like premium audio equipment than a gaming console, it combined a fully functional PlayStation 2 with a sophisticated digital video recorder. Priced at an eye-watering 88,800 yen (approximately $646 at the time), it targeted affluent consumers who wanted the ultimate all-in-one entertainment solution.
Technical Marvel
Advanced Features
The PSX boasted capabilities that seemed almost futuristic for 2003:
Built-in DVR with up to 250GB storage
DVD authoring capabilities
MP3 ripping and playback
Advanced photo editing tools
Full PS1 and PS2 game compatibility
Memory Stick Pro support for portable media transfer
A beautiful piece of hardware
Revolutionary Interface
The system introduced the Cross Media Bar (XMB) interface, which would later become standard on PS3 and PSP. This sophisticated menu system demonstrated Sony’s forward-thinking approach to user experience design.
Market Challenges
Premium Positioning
The PSX’s premium price point proved problematic. At launch, it cost more than twice the price of a standard PS2. While Sony positioned it as a luxury item, the market wasn’t ready for such an expensive gaming-entertainment hybrid.
Some unreleased colour variants
Technical Issues
The ambitious feature set led to several problems:
Early units suffered from overheating
DVD lasers proved unreliable
Initial firmware lacked promised features
Software updates were inconsistent
The Short Life of Innovation
Initial Promise
The first week saw impressive sales of 100,000 units in Japan. Early adopters were excited about the device’s potential, and tech enthusiasts praised its innovative features.
Rapid Decline
However, enthusiasm quickly waned:
Retailers struggled to explain the product’s value proposition
Technical issues damaged consumer confidence
The high price point limited market penetration
Limited marketing failed to build broader awareness
Legacy and Impact
Modern Gaming DNA
While the PSX failed commercially, its DNA lives on in modern gaming consoles:
Multi-media functionality became standard
The XMB interface influenced a generation of UI design
DVR and media center capabilities are now common
Integration of gaming and entertainment features
Lessons Learned
The PSX taught Sony valuable lessons about:
Price point sensitivity
The importance of clear market positioning
The dangers of over-ambitious feature sets
The need for reliable hardware at launch
Cultural Significance
The PSX represents a fascinating moment in gaming history – when Sony attempted to bridge the gap between gaming consoles and high-end entertainment centres. Its failure wasn’t due to lack of innovation, but rather to being too ambitious for its time.
Sony offered two variants with different hard drive sizes
The Final Chapter
By February 2005, just 14 months after launch, Sony discontinued the PSX. The device was never released outside Japan, making it one of Sony’s most expensive and shortest-lived gaming experiments. Today, working PSX units are extremely rare, with many suffering from hardware failures due to their complex design.
The PSX stands as a testament to Sony’s willingness to take bold risks in gaming hardware design. While it failed commercially, its influence can be seen in every modern gaming console that offers entertainment features beyond just playing games. It was, in many ways, a product ahead of its time – a dream of gaming’s future that arrived perhaps a decade too early.
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